tag:blogger.com,1999:blog-88516458761417210022023-11-16T03:33:24.435-08:00And Did Those Feet - an exhibitionhttp://www.blogger.com/profile/04854701034941124576noreply@blogger.comBlogger23125tag:blogger.com,1999:blog-8851645876141721002.post-4915855387889312732016-05-25T13:11:00.001-07:002016-05-25T13:12:08.659-07:00Show's over...!Thanks to everyone who's contributed, invigilated, visited, said nice things or just followed the blog.<br />
It's been great.<br />
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Maybe see you again next year :)<br />
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<br />http://www.blogger.com/profile/04854701034941124576noreply@blogger.com0tag:blogger.com,1999:blog-8851645876141721002.post-69681942961319216082016-05-11T10:22:00.002-07:002016-05-11T10:22:38.554-07:00Arrows of Desire - Jon VoglerWe asked Jon Vogler to tell us a little more about the inspiration and the thinking behind the piece - 'Arrows of Desire' - that he made for the exhibition...<br />
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"I see Blake as a perpetual protester - protesting against poverty, against rationalism, against industrialisation that destroys creativity, against the exploitation of women and children and animals, against the establishment and, particularly, the established church.<br />
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So I wanted to do a protest piece and there is SO MUCH to protest about in our contemporary society. Yet there is also so much that is clean and beautiful and peaceful and that is what I see from my window, whereas the bad things are not visible unless you go and seek them out or read (or view) about them in the papers and on the tele. So I wanted to say - 'yes there are horrible things going on out there but we have a human obligation to know, especially when they are done by our government or police or army in our name, and to make our protest loud and clear.' Blake would he been delighted to have been able to sign up to petitions on 38 degrees!<br />
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It was quite fortuitous that someone pointed out that the logo of St Edmund contained a pair of arrows, so I was pleased to link my piece with the church and to see the link between that old evil act - a violent martyrdom - with the contemporary violence which is so pervasive in the Middle East. The martyr’s crown is more problematic - I hate the idea of anyone losing their life because of what they believe, because there is such widespread evidence that most of the things that most of us believe are plain wrong and, often, extremely stupid. Socrates said 'The only thing we know is that we know nothing' and this is as true of religious belief - and I mean ANY religion - as it is true of Newton’s laws of motion. Blake hated Newton’s idea of a predictable, calculable universe and wouldn’t he have been delighted when Einstein showed that Newton’s laws only appeared to be right because our senses are insufficiently developed to perceive where they go wrong?..."<br />
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http://www.blogger.com/profile/04854701034941124576noreply@blogger.com0tag:blogger.com,1999:blog-8851645876141721002.post-29205015238167336332016-05-04T14:28:00.001-07:002016-05-04T14:28:04.971-07:00More photos...<div class="separator" style="clear: both; text-align: center;">
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<br />http://www.blogger.com/profile/04854701034941124576noreply@blogger.com0tag:blogger.com,1999:blog-8851645876141721002.post-8082527606253268112016-05-01T11:58:00.004-07:002016-05-01T12:01:29.205-07:00We're open!<div class="separator" style="clear: both; text-align: left;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">some images from the first day of the exhibition...</span></span></div>
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<br />http://www.blogger.com/profile/04854701034941124576noreply@blogger.com0tag:blogger.com,1999:blog-8851645876141721002.post-60587634037183617552016-04-30T13:29:00.001-07:002016-04-30T13:31:59.298-07:00Meet the Artist... Micah Purnell<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><b>Si:</b> Hi Micah, and welcome to the exhibition blog.<br />Can I start by asking you to tell us a bit about your work and the motivations behind it?<br /><br /><b>Micah:</b> Hmm, what's to say... I'm a city dwelling, real ale drinking, husband and father of four, graphic designer, artist, family-centric, brought up Christian but tend to keep that quite due to peoples pre-conceived media spun ideas of what that means. These are the things that motivate me and my work. A desire to get in and through the dominant, corporate, commercial self interested voices and put something alternative in it's place..<span style="font-family: "arial" , "helvetica" , sans-serif;">.</span></span></span><br />
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><b>Si:</b> That's interesting, because when we first got the go-ahead for this exhibition, I knew that I wanted you to be part of it - there's something very Blake-ian about the work that you make and where you put it - something subversive and which looks to confront those dominant cultural narratives that we're surrounded by, something that's restlessly seeking a better way to be...<br />I wonder if you recognise that connection to Blake? (or whether it's just me getting carried away!)<br /><br /><b>Micah:</b> Ha, yeah I guess so, though I am shamefully unaware of the majority of his work. Having delved into Jerusalem a little via conversations with your good self and simply wikipedia I now see a much bigger picture, and might even sing it next time.</span></span><br />
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><b>Si:</b> Heh heh! Maybe we should<span style="font-family: "arial" , "helvetica" , sans-serif;">'</span>ve had some karaoke for the opening night. Then again... maybe not :0) </span></span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">I'm wondering if there are other artists or designers or creatives who have influenced your practice and your thinking...? who do you recommend that we should seek out...?<br /><br /><b>Micah:</b> As much of my work is text based I would have to include <a href="http://www.barbarakruger.com/" target="_blank">Barbara Kruger</a>, <a href="http://projects.jennyholzer.com/" target="_blank">Jenny Holzer</a> and <a href="http://anthonyburrill.com/" target="_blank">Anthony Burrill</a> [below] who all have some level of self social critique, humour and analytical critique.</span></span><br />
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><br /><b><span style="font-family: "arial" , "helvetica" , sans-serif;">Si: </span></b><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;">H</span>ave you got any other projects on the go, or exhibitions coming up that you'd like us to know about?</span><b><span style="font-family: "arial" , "helvetica" , sans-serif;"><br /><br />Micah: </span></b><span style="font-family: "arial" , "helvetica" , sans-serif;">I'm currently working on www.intervalprojects.tumblr.com. <a href="https://twitter.com/IntervalProjcts">https://twitter.com/IntervalProjcts</a> It's an curated outdoor art space in the public realm which offers an interval between the ads, a gap between the consumer tone of visuals we're used to seeing, to offer something back for free. A similar previous project I initiated was <a href="http://print-and-paste.tumblr.com/">http://print-and-paste.tumblr.com/</a>. Print & Paste exhibited artists from the UK, New York, Japan, Sweden and others and made it into Creative Review and other international online creative magazines. </span></span></span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;">This year I want bus shelter size back lit ad spaces in 10 cities across England (to start with) I just need £10K and people with prominent sites in cities to make it happen. If you're one of those people please shout.</span></span></span><br />
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><b><span style="font-family: "arial" , "helvetica" , sans-serif;">Si: </span></b><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;">That s</span>ounds brilliant<span style="font-family: "arial" , "helvetica" , sans-serif;"> (literally!) - we'll look forward to seeing what comes of that... </span></span><span style="font-family: "arial" , "helvetica" , sans-serif;">Lastly, thanks again for designing our exhibition publicity material. We really love it, and it's been great taking it round places and seeing folks reaction to it. People really like those cards...</span></span></span><br />
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><b><span style="font-family: "arial" , "helvetica" , sans-serif;">Micah: </span></b><span style="font-family: "arial" , "helvetica" , sans-serif;">Thanks, I've really enjoyed learning about the project and getting involved.</span></span></span>http://www.blogger.com/profile/04854701034941124576noreply@blogger.com0tag:blogger.com,1999:blog-8851645876141721002.post-28588554828584050922016-04-25T23:56:00.002-07:002016-04-25T23:56:27.654-07:00Meet the Artist... Ian Kirkpatrick<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><b>Si:</b> Hi Ian, and welcome to the exhibition blog!<br />I have loved your work whenever and wherever I've seen it, so it's a genuine delight to have you onboard for this show...<br />For the benefit of folk who haven't seen your stuff before, how would you describe your practice?<br /><b><br />Ian:</b> I’m really interested in working with images, materials, themes and technologies that are part of everyday modern life. I use my training as a graphic designer to create my work digitally – and manufacture it out of the same industrial materials that are typically found in the urban landscape. The surfaces of my work are filled with iconographies relating to contemporary life, as well as history. I like bringing imagery from the past and present together – and using the connections and contradictions between them as a way to comment upon current events.</span></span><br />
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">Much of the work I’ve been doing recently is inspired by packaging design – and takes the form of large, decorated cardboard sculptures shaped like classical statues or ancient idols. But for this exhibition I was interested to try something a bit different, and make a piece inspired by church architecture. I ended up designing a large triptych, constructed out of Dibond – the same material governments use for street signage. I wanted to capture attention in the way that official signage is intended to do – and speak with that same visual language of authority. </span></span><br />
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><b>Si:</b> Having seen the plans for that triptych, I'm very excited - I am really looking forward to seeing it in the flesh...<br />Interestingly, you're one of two Canadian artists involved in this show (Guy Delisle is the other), and one of the key things that your piece for the exhibition references is the issue of migration...<br />So I'm wondering about your own journey to the uk and - in particular - how you've ended up in Leeds...<br /><br /><b>Ian:</b> My wife and I originally moved to the UK (from Victoria, Canada) in 2007 so she could undertake a PhD in archaeology at the University of Southampton. It was in Southampton that I first started making art professionally . After showing work in a couple of exhibitions, I joined a studio (Aspace) which helped me meet other artists and become part of a small local community.</span></span><br />
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">In 2012, my wife won a lectureship at the University of York and so we moved up North. I’d recently spoken at a conference hosted by the Henry Moore Institute in Leeds, and I contacted the organiser to ask if she had any suggestions for studios in the area. She suggested East Street Arts, which turned out to be an excellent recommendation. Although it’s a bit of a commute from York to Leeds, East Street Arts has proven to be the most amazing studio – not just because of the spaces themselves but due to the community and the organisation itself. It's been great having an excuse to come to Leeds regularly; I love its urban feel and the strength of its arts scene.</span></span><br />
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">I don’t think it’s a coincidence that it was only in the UK that I started making art in a professional sense. For me there was something about being in a new country that really helped jumpstart my career. Partly I think it had to do with being a ‘stranger in a strange place’ and searching for a community of like-minded people who were able to encourage and support my work. But also I think that when people from different backgrounds intermingle, it can help generate new creative ideas that wouldn’t have happened otherwise. So for me, immigrating to a new country has been an incredibly positive experience as an artist. <br /><b> </b></span></span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><b>Si:</b> I think that your "stranger's" take on nationhood and Englishness is really important within this show; and it's brilliant to get a positive sense of what migration can mean, when so much of the media coverage and the conversation around immigration seems to come from such a negative perspective right now... </span></span><br />
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><b>Ian: </b>Yes it’s been interesting to see how the issue of migration has become so heated over the 8 years or so since I moved to England – and how it’s become a key topic in many Western countries. In many cases it feels very much like an easy distraction from the real economic issues those countries are facing due to other problems. The irony is that many people who emigrate to other countries feel a need to work very hard, I believe. Personally I feel grateful for the chance to be living in a country with such amazing opportunities as an artist; this makes me work even harder to try and succeed, and to contribute in my own way the national arts scene. Interestingly, many of my commissioned pieces & themed exhibitions have addressed England as a subject – and I do feel that being an outsider gives me a unique perspective on English traditions, myths, and nationhood.</span></span><br />
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><b>Si:</b> I was talking with someone the other day who reckoned that 'Blake's Jerusalem' is effectively embedded into the English psyche - it's language is part of our national vernacular, and it's become part of our DNA; to the point where folk can happily bellow it out without ever once stopping to consider what it is actually about or what Blake was saying... So it's an anthem that is claimed and sung by the political Left and the Right, by republicans and royalists, and that's certainly part of it's fascination for me...<br />Did you know anything much about the song before we invited you to make something for the exhibition?<br /><br /><b>Ian:</b> I must admit that I had to look it up on YouTube – and didn’t recognize the song at all! To me it doesn’t have much resonance compared to ‘God Save the Queen’, which is musically more powerful and memorable in my opinion. So I suppose I found myself gravitating, for this exhibition, towards the actual poem by Blake, rather than the anthem. Over the last few years I’ve found myself increasingly fascinated by Blake’s work – both in terms of his imagery/design, and also his mythology. So when you contacted me and mentioned that the show was about William Blake…I really jumped at the chance to respond to his 'And Did Those Feet in Ancient Time' poem. What began to emerge as a theme, for me, was the issue of migration - and in particular the idea that migration is such a longstanding historical activity. The poem, of course, addresses the possibility that Jesus visited England in his youth – and for me I was struck by the connections between that event & the current waves of people trying to reach Europe and England from the Middle East. I wanted to link contemporary events to the ancient past of Blake’s poem, and maybe even further back. The altarpiece structure helped facilitate this, by dividing the work into distinctive parts and therefore defining clear geographical ‘regions’ within the narrative - similar to how traditional altarpieces might be divided into heaven, earth, and hell. <br /><b><br />Si:</b> Well, I have to admit that I am a little bit horrified that you'd never heard (or remembered hearing) 'Jerusalem' before! But then maybe that reflects in me a peculiar sort of English insularity! And it certainly illustrates why your involvement in this show - and the insights that you bring to it - are so valuable... :0) <br /><br /><b>Ian:</b> Thanks Si! I definitely hope that my work can provide a different perspective of what England means to those originating from other lands – hopefully that comes through in my piece, in addition to the other themes I address in the work.</span></span><br />
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><b> Si:</b> Looking ahead, what are you working on next? Any exhibitions or events that we should be seeking out?<br /><br /><b>Ian:</b> I’ve currently got a series of sculptures on exhibit at Leeds City Museum – pieces I created during my Leverhulme Trust residency with Leeds Museums and Galleries in response to their First World War collection. </span></span><br />
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">I’m also working on my first public art commission – a large steel sculpture for the Harehills area. It’s been quite an exciting and eye-opening experience – so it’ll be very rewarding to see it finally built, hopefully sometime this summer! I’ll be posting about it on my website, Instagram and Twitter accounts – along with other projects underway…so please stay tuned!<br /><br />Web: <a href="http://iankirkpatrick.wordpress.com/">iankirkpatrick.wordpress.com</a><br /><br />Twitter: @iankirkpatrick<br /><br />Instagram: iankirkpatrickartist<br /><br />Facebook: iankirkpatrickartist</span></span>http://www.blogger.com/profile/04854701034941124576noreply@blogger.com0tag:blogger.com,1999:blog-8851645876141721002.post-621896510280925922016-04-24T12:42:00.001-07:002016-04-24T12:42:28.411-07:00Meet the Artist... Eddy Aigbe<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><i>Eddy Aigbe is a Nigerian born Birmingham based visual artist, multimedia painter and art tutor. Presently, he's the resident artist at the Lozells Methodist Community Centre. Eddy has been passionately producing art and teaching art to an international audience. His current work utilizes a complex application of mixed media and, textured collage with thick layers<span style="font-family: "arial" , "helvetica" , sans-serif;">.</span></i></span></span><br />
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><b>Si:</b> Hi Eddy, and welcome to the exhibition blog.<br />Your work is beautifully expressive - the colour and the textures in your paintings are fantastic - and at the same time there's a lot of careful observation and serious draughtsmanship going on there too.<br />Could you tell us a bit about how you work, and how the paintings come about?<br /><br /><b>Eddy:</b> Thank you Si. My process involves way more thought than physical activity. I tend to throw myself in deep about a lot of things. From, what needs to be communicated, to what symbols, colours, and forms will best convey my intent. Writing , and sketching ideas until, a eureka moment (or not) appears.</span></span><br />
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">I work with varied mediums, starting with plastic to acrylic mediums, and everything else in between. I layer compatible mediums and build this up until I'm satisfied. I then start the colouring process, building layers of colour from purposeful to subliminal, and back again. That's the most simple way that I can explain it.</span></span><br />
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><b>Si:</b> I think that you can really see those processes at work in your paintings...<br />Meanwhile, I've seen some work-in-progress shots of your piece for our exhibition, and I'm really looking forward to seeing it finished and hung in St Ed's church.<br />Is there anything that you can tell us about the thinking and ideas that have gone into it?</span></span><br />
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><b>Eddy:</b> My work is based on Blake's center of thought, that people should take responsibility for change, to desire and, build a better society. My education and life has been strongly influenced by both Nigerian and British society. This has placed me in a very unique relational perspective, in my (rather short but, fruitful) study of Blake's work. His work relates very much with other radical poets and play writers from Nigeria, in the likes of <a href="http://www.nobelprize.org/nobel_prizes/literature/laureates/1986/soyinka-bio.html" target="_blank">Prof. Wole Shoyinka</a> and <a href="http://www.africaw.com/professor-chinua-achebe-the-african" target="_blank">Prof. Chinua Achebe</a>. These radicals from different continents, share a commonality in the belief that through a creative mental struggle, imagination will produce the desired catalyst for desired change. The mental struggle is the focal point of my work.</span></span><br />
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;">M</span>irroring Blake's works, I have used symbolism in form, color and, composition to depict this mental fight as it were, dominating the canvas with yellows (a symbol of hope), purple (symbols of power and contrastingly, wisdom), and violets (representing the future, the imagination and dreams). The main figure in the painting, is surrounded by a landscape of 'dark satanic' mills, anguish, and oppressive institutions (both political and religious), which do not fulfill their intended creation.</span></span><br />
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">But this 'man' represents within it, humanity's physical and spiritual self, emerging from this 'satanic mill' albeit, reborn. His eye lighted by faith, while he looks up with hope at the the trees above for divine support (the trinity? Nature?) that bear freedom, salvation, and positive change within them. And though his lips be barred from expression, he yet speaks without a voice, surrounding himself with symbols and colours of his hopes and desires.<br />For me, this is the exact moment that the birth pains of emancipation starts... From within, in the imagination...</span></span><br />
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><i>The Gospel of John chapter 3 verse 3</i></span></span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><i>Jesus answered and said to him, “Most assuredly, I say to you, unless one is born again, he cannot see the kingdom of God.”</i><br /><br />With those immortal words, true emancipation starts.</span></span><br />
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<br />http://www.blogger.com/profile/04854701034941124576noreply@blogger.com0tag:blogger.com,1999:blog-8851645876141721002.post-56516919236576310842016-04-24T02:42:00.000-07:002016-04-24T02:42:06.447-07:00Gillian Holding... More Work in (Slow/Fast) Progress<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><a href="https://gillianholding.wordpress.com/2016/04/24/slow-fast-progress/">https://gillianholding.wordpress.com/2016/04/24/slow-fast-progress/</a></span></span><br />
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<br />http://www.blogger.com/profile/04854701034941124576noreply@blogger.com0tag:blogger.com,1999:blog-8851645876141721002.post-62934350441874565062016-04-22T04:39:00.001-07:002016-04-22T04:59:37.998-07:00Meet the Artists... Emma Hardaker and Rachel Hinds...<i><span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;">From a disused pie factory to the dark satanic mills of Brighouse, and back again... curator Si Smith talks with artists <b>Rachel Hinds</b> and <b>Emma Hardaker</b> about where they've been and where they're going...</span></span></i><br />
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<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><b>Si:</b> Hi Rachel and Emma, and welcome to the exhibition blog.When we approached each of you about making some work for this show I didn't realise it, but you know one another from back in the day, when you shared a studio at <a href="http://www.enjoythevoltaire.co.uk/?page_id=211" target="_blank">Enjoy</a>... <br /><br /><b>Emma:</b> It feels like so long since I was a studio holder with Enjoy!<br /><br /><b>Rachel:</b> Ah yes, the landscapes that I painted there. I remember being very excited to have my first ever studio space - it was in Mabgate, and I think the building used to be a pie factory. It was very cheap with a mix of professional artists and art enthusiasts… <br /><br /><b>Si:</b> So I’m wondering what you’ve both been up to since you shared that studio space?<br /><br /><b>Rachel:</b> I'm still painting landscapes, I can see how they are improving technically all the time. I'm keen to continually strive to improve and eventually achieve a very high standard, to be among the best!<br />This sort of study takes years, decades even, and in this age of 'the Next Big New Thing in Art' it’s essentially going against the tide. Which is something I frequently find myself doing…<br />Since I left Enjoy studios, I've been figuring out the direction I want my painting to go. I'm pretty sure now I want to concentrate on two areas - achieving excellence in my figurative work, and experimenting with colour and form in my abstracts.</span></span><br />
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<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;">I recently found out that the <a href="http://www.academyofrealistart.co.uk/" target="_blank">Atelier system</a> was alive and well, so my aim this year is to go to Manchester to study with a realist art school. What direction has your art career taken Emma? I remember doing a workshop with you last year in the Corn Exchange! </span></span></div>
<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><br /><b>Emma:</b> At the beginning of 2014 I decided to open an art supplies shop and started running and teaching classes. I closed the shop end of last year and I am now concentrating once again on my own practice, whilst running a few workshops here and there… I am also working with Assembly House as a programmer and, in a strange turn of events, have recently returned back to Enjoy running their project space along with the rest of Assembly House! Where is your studio at the moment - or are you working from home? <br /><br /><b>Rachel:</b> I've a studio about 12 minutes walk from my house! </span></span><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;">
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiPLOFpAhqDaiNsZqPBRBMdT-71puBg5P0sR7EdVE5I3zRrW8AEZS2rz_ObCicROIlsBx2SfFY-eI9YnNJOgof16bEcVdb5UQiTgfq909eVRaQGZTl6iDjPkYuifFO8y09NCP6tfRHygN3u/s1600/image-23-03-16-08-45.jpeg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiPLOFpAhqDaiNsZqPBRBMdT-71puBg5P0sR7EdVE5I3zRrW8AEZS2rz_ObCicROIlsBx2SfFY-eI9YnNJOgof16bEcVdb5UQiTgfq909eVRaQGZTl6iDjPkYuifFO8y09NCP6tfRHygN3u/s400/image-23-03-16-08-45.jpeg" width="400" /></a></div>
<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;">It's great to hear that Enjoy is doing well - I remember that substantial exhibition space upstairs - Leeds could do with more spaces like that for emerging artists to showcase their work. After the drama surrounding the opening of the British Art Show 8, myself and other artists were surprised to learn that Leeds has so few opportunities for artists to exhibit in the city centre. Manchester and Liverpool are more on the game - let's hope Leeds steps up. The north of England has a hard time getting the attention it deserves in the national art scene as it is. </span></span><br />
<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;">What's the focus of your art practice these days?<br /><br /><b>Emma:</b> I make conceptual pieces - often constructed from a combination of film projection and performance. They're visually quite stylised and often cinematic...</span></span><br />
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<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span lang="EN-US"><span style="font-family: "arial" , "helvetica" , sans-serif;">I think that having live elements encourages the audience to interact more with the work, and that enhances the whole experience...</span></span></span></span><br />
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"></span></span><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhS1yQ0S7AI3K4n-alJCAk1-Sjlhsbg9sWP2jHFsVP0ZCjgY3J3ARo6b0UJNlzmMMKR1ZUR0fnMh23MT00TnNh6IBaZTtV8yPwVcBboGZNDyoEyL2mlv2xNaWQ76Hpge2V57zYKWFi-N6k_/s1600/tumblr_mcilykOuWC1qb82b0o1_1280.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="228" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhS1yQ0S7AI3K4n-alJCAk1-Sjlhsbg9sWP2jHFsVP0ZCjgY3J3ARo6b0UJNlzmMMKR1ZUR0fnMh23MT00TnNh6IBaZTtV8yPwVcBboGZNDyoEyL2mlv2xNaWQ76Hpge2V57zYKWFi-N6k_/s320/tumblr_mcilykOuWC1qb82b0o1_1280.jpg" width="320" /></a></div>
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<span style="font-family: inherit;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><b>Si:</b> I'm really pleased to have you both onboard for the exhibition, because I think that you'll<span style="font-family: "arial" , "helvetica" , sans-serif;"> </span>each bring something quite unique to the show...<span style="font-family: "arial" , "helvetica" , sans-serif;"> </span>I don't want to pressure you into giving any secrets away, but can you tell us something about the work that you've made/are making for<span style="font-family: "arial" , "helvetica" , sans-serif;"> </span>us...?</span></span></span></span><br />
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<span style="font-family: inherit;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><b>Rachel:</b> Well, I've always admired Blake's passion, and his beatific visions of England. So for this exhibition, I painted a scene of a small mill town - Brighouse, in Calderdale,<span style="font-family: "arial" , "helvetica" , sans-serif;"> </span>complete with mills and chimneys and a flock of curious cows…</span></span></span></span><br />
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<span style="font-family: inherit;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><b>Emma:</b> I really like that piece and look forward to seeing it in person soon. It feels very much like you are seeing the very place that Blake speaks of in the poem, and the atmosphere you have created with the colours is like the feeling you get just before it rains… For this show I have been exploring ideas of patriotism and religion - mainly looking at ways I can relay the thoughts and feelings of the poem into an installation or performance. So far I have began making films using repetition and rituals, and I have began planning an endurance performance using needle work which makes reference to the labour ensured in the "dark satanic mills"...</span></span></span></span><br />
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<span style="font-family: inherit;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><b>Rachel:</b> So what’s your take on Blake, Emma?</span></span></span></span><br />
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<span style="font-family: inherit;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><b>Emma:</b> I’ve been inspired by Blake since I was bought a poetry book with poems of his, selected by Patti Smith, for one of my birthdays as a teenager.<span style="font-family: "arial" , "helvetica" , sans-serif;"> </span>When did you first come across him?</span></span></span></span><br />
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<span style="font-family: inherit;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><b>Rachel:</b> I bought the work of a flurry of poets - including William Blake - 20 years ago… Looking back to my younger self it was probably because I thought poets, like other creatives, were exploring the human condition with words rather than painting images, and at the time I was trying to make sense of the world. I still am…</span></span></span></span></div>
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http://www.blogger.com/profile/04854701034941124576noreply@blogger.com0tag:blogger.com,1999:blog-8851645876141721002.post-6076276873266152742016-04-19T01:03:00.005-07:002016-04-19T01:03:40.292-07:00Gillian Holding's Blog...<div class="separator" style="clear: both; text-align: center;">
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<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">Artist Gillian Holding is creating some work for the exhibition, and is posting daily reflections on her blog... you can follow Gillian's progress <a href="https://gillianholding.wordpress.com/2016/04/19/next-stop-blakes-jerusalem/" target="_blank">here</a></span></span>http://www.blogger.com/profile/04854701034941124576noreply@blogger.com0tag:blogger.com,1999:blog-8851645876141721002.post-77168135730115689822016-04-18T01:09:00.001-07:002016-04-18T01:09:48.354-07:00Work in progress... Shaeron Caton-Rose<style>
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<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-family: inherit;"><span style="font-size: small;">"...Reading about Blake
has changed completely my understanding of his world and work. I can’t believe
that as an artist I have never explored the ideas behind his fabulous imagery.
To me, Jerusalem seemed a jingoistic and embarrassing hymn which I refuse to sign
along to. However, I have discovered layers of meaning to the concepts enmeshed
in its words and in the ideological icon of ‘the holy city’. I am trying to
reflect this in the layers of text which I’m creating towards a projection
piece which will be a part of my final piece. There are yet more layers to add…"</span></span></span></div>
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http://www.blogger.com/profile/04854701034941124576noreply@blogger.com0tag:blogger.com,1999:blog-8851645876141721002.post-5975961362307906592016-04-15T06:12:00.002-07:002016-04-18T02:19:00.154-07:00Blake's Vision...<style>
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<br />
<span style="font-family: inherit;"><span style="font-size: small;"><i>John McIntyre
is a scholar and a Blake enthusiast, and he's been offering invaluable support,
advice and huge amounts of encouragement as we put this exhibition together. We
asked John if he could give us some insight into Blake's thinking and the
vision that inspired the words of 'Jerusalem', and are delighted to be able to
share his reply with you here...</i></span></span><br />
<br />
<br />
<span style="font-family: inherit;"><span style="font-size: small;">WILLIAM BLAKE: "AND DID THOSE FEET IN ANCIENT TIME" (1804)</span></span><br />
<span style="font-family: inherit;"><span style="font-size: small;"><br />And did those feet in ancient time<br />Walk upon England's mountains green,<br />And was the Holy Lamb of God<br />On England's pleasant pastures seen</span></span><br />
<span style="font-family: inherit;"><span style="font-size: small;"><br />And did the Countenance Divine<br />Shine forth upon our clouded hills?<br />And was Jerusalem builded here<br />Among these dark Satanic Mills?</span></span><br />
<span style="font-family: inherit;"><span style="font-size: small;"><br />Bring me my Bow of burning gold:<br />Bring me my Arrows of desire:<br />Bring me my Spear: O clouds unfold!<br />Bring me my Chariot of fire:</span></span><br />
<span style="font-family: inherit;"><span style="font-size: small;"><br />I will not cease from Mental Fight,<br />Nor shall my Sword sleep in my hand,<br />Till we have built Jerusalem,<br />In England's green and pleasant Land.</span></span><br />
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<span style="font-size: small;"><span style="font-family: inherit;"><span lang="EN-US" style="color: black;">This untitled poem is the
climax of the Preface to William Blake's epic poem, "Milton". It is a
clarion call to us all to use the creative powers of our Imagination and
transform the world we live in by taking up the fight for spiritual renewal
against the dark forces of Rationalism and Materialism.</span><span style="color: black;"></span></span></span></div>
<span style="font-size: small;"><span style="font-family: inherit;">
</span></span><br />
<div class="Body">
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<span style="font-size: small;"><span style="font-family: inherit;">
</span></span><br />
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<span style="font-size: small;"><span style="font-family: inherit;"><span lang="EN-US" style="color: black;">William wrote most of
"Milton" during the years 1800-1803, when he was staying in a cottage
in Felpham, Sussex, set in beautiful countryside near the sea. Hayley, his
patron and friend, provided William with this much needed respite from the
oppressiveness of London, where William had struggled against debilitating
poverty for over twenty years. He wrote the epic in a spirit of renewed
confidence in his creative vision and finished it by 1804. William spent the
next years making the engravings: the complete work was ready for publication
in 1808.</span><span style="color: black;"></span></span></span></div>
<span style="font-size: small;"><span style="font-family: inherit;">
</span></span><br />
<div class="Body">
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</span></span><br />
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<span style="font-size: small;"><span style="font-family: inherit;"><span lang="EN-US" style="color: black;">Unlike the epics of
Ancient Greece and Rome, such as the "Iliad", which deal with
"corporeal war" and glorify militarism, his epic "Milton"
deals with "mental war" (spiritual conflict, growth and fulfilment),
which he calls "mental fight" in the untitled poem. It draws its
inspiration, not from the Nine Muses of the Classical World, but from "the
Sublime of the Bible": the Divine Vision.</span><span style="color: black;"></span></span></span></div>
<span style="font-size: small;"><span style="font-family: inherit;">
</span></span><br />
<div class="Body">
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<span style="font-size: small;"><span style="font-family: inherit;">
</span></span><br />
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<span style="font-size: small;"><span style="font-family: inherit;"><span lang="EN-US" style="color: black;">"One power alone
makes a poet: Imagination, The Divine Vision."</span><span style="color: black;"></span></span></span></div>
<span style="font-size: small;"><span style="font-family: inherit;">
</span></span><br />
<div class="Body">
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</span></span><br />
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<span style="font-size: small;"><span style="font-family: inherit;"><span lang="EN-US" style="color: black;">Within William's
sacred vision, God is Imagination:</span><span style="color: black;"></span></span></span></div>
<span style="font-size: small;"><span style="font-family: inherit;">
</span></span><br />
<div class="Body">
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<span style="font-size: small;"><span style="font-family: inherit;">
</span></span><br />
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<span style="font-size: small;"><span style="font-family: inherit;"><span lang="EN-US" style="color: black;">The destructive
weapons and the so called "heroic" acts of military warfare will be
replaced by the creative powers and works of the Imagination, which will
triumph over "these dark Satanic Mills" and build the perfect world
of spiritual enlightenment, Jerusalem. </span><span style="color: black;"></span></span></span></div>
<span style="font-size: small;"><span style="font-family: inherit;">
</span></span><br />
<div class="Body">
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<span style="font-size: small;"><span style="font-family: inherit;">
</span></span><br />
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<span style="font-size: small;"><span style="font-family: inherit;"><span lang="EN-US" style="color: black;">On the literal level,
the "dark Satanic Mills" are the huge factories of the Industrial
Revolution: on the symbolical level, they signify the systems of thought, which
have not only gone into building them, but also
have gone into attempting to build the architecture of a mechanical and
materialistic universe in negation of the Divine Vision. </span><span style="color: black;"></span></span></span></div>
<span style="font-size: small;"><span style="font-family: inherit;">
</span></span><br />
<div class="Body">
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<span style="font-size: small;"><span style="font-family: inherit;">
</span></span><br />
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<span style="font-size: small;"><span style="font-family: inherit;"><span lang="EN-US" style="color: black;">Within Blake's
visionary world, the mill is a symbol of Reason, which acts solely on empirical
evidence and drives everything to its ultimate, logical conclusion. And
destruction! It grinds and reduces Imagination (God), Infinity and Eternity
into measurable, labelled quantities, like bags of flour. It is the logic that
creates Abstract Philosophy, Dogmatic Religion, and Materialism, which inflict
grievous suffering upon humanity.</span><span style="color: black;"></span></span></span></div>
<span style="font-size: small;"><span style="font-family: inherit;">
</span></span><br />
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</span></span><br />
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<span style="font-size: small;"><span style="font-family: inherit;"><span lang="EN-US" style="color: black;"> For Blake, 'The Age of Enlightenment' ('The
Age of Reason'), spurred on by Newton's ideas, is 'The Age of Darkness' which
comes between humanity and the Divine Vision, like clouds obscuring the sun.
Reason should be used, not to repress the power and energy of the Imagination,
but to work with the Imagination in the creative act.</span><span style="color: black;"></span></span></span></div>
<span style="font-size: small;"><span style="font-family: inherit;">
</span></span><br />
<div class="Body">
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<span style="font-size: small;"><span style="font-family: inherit;">
</span></span><br />
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<span style="font-size: small;"><span style="font-family: inherit;"><span lang="EN-US" style="color: black;"> The poem is permeated with Biblical imagery
(and, in particular, St John's Book of Revelation), which William uses to
create the symbols of his sacred vision. He depicts himself as a warrior
artist, riding in his 'chariot of fire', like the prophet Elijah, and leading
us all in the "Mental Fight" to
transform the dark forces of Rationalism and Materialism. The spiritual
struggle is fought both within ourselves as individuals (William included!),
and outside of ourselves in the materialistic world, which denies the
spiritual.</span><span style="color: black;"></span></span></span></div>
<span style="font-size: small;"><span style="font-family: inherit;">
</span></span><br />
<div class="Body">
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<span style="font-size: small;"><span style="font-family: inherit;">
</span></span><br />
<div class="Body">
<span style="font-size: small;"><span style="font-family: inherit;"><span lang="EN-US" style="color: black;">There is a symbolical
link between "the Countenance Divine" and "my Bow of burning
gold". The golden sun is a symbol of God: Imagination, Energy and Vision.
Gold is a symbol of Divinity. By transference, the "Bow of burning
gold" is a symbol of the body of William's art, which is burning with the
inspiration and energy of the Divine Vision, the Imagination. It is the
contrary of "these dark Satanic Mills", that burn and belch out
obfuscating clouds of the Materialist Revolution.</span><span style="color: black;"></span></span></span></div>
<span style="font-size: small;"><span style="font-family: inherit;">
</span></span><br />
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<span style="font-size: small;"><span style="font-family: inherit;">
</span></span><br />
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<span style="font-size: small;"><span style="font-family: inherit;"><span lang="EN-US" style="color: black;"> "Arrows", "Spear" and
"Sword" are symbols of the
penetrating powers of William's work.Their spiritual insights and truths will
pierce the thickest armour and the deepest layers of Rationalism and
Materialism: they will open up the darkened minds of humanity with the light
and inspiration of the Divine Vision.
Our consciousness will be spiritually transformed:</span><span style="color: black;"></span></span></span></div>
<span style="font-size: small;"><span style="font-family: inherit;">
</span></span><br />
<div class="Body">
<br /></div>
<span style="font-size: small;"><span style="font-family: inherit;">
</span></span><br />
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<span style="font-size: small;"><span style="font-family: inherit;"><span lang="EN-US" style="color: black;">"If the doors of
perception were cleansed, everything would appear to man as it is,
Infinite."</span><span style="color: black;"></span></span></span></div>
<span style="font-size: small;"><span style="font-family: inherit;">
</span></span><br />
<div class="Body">
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<span style="font-size: small;"><span style="font-family: inherit;">
</span></span><br />
<div class="Body">
<span style="font-size: small;"><span style="font-family: inherit;"><span lang="EN-US" style="color: black;">William is not an elitist:
hierarchy is anathema to him. He wants us all to be prophets and visionary
artists. When the whole of humanity is spiritually enlightened and creatively
active, Jerusalem will be once more. This is William's burning desire, which he
expresses very clearly at the end of the poem, when he quotes the Bible:</span><span style="color: black;"></span></span></span></div>
<span style="font-size: small;"><span style="font-family: inherit;">
</span></span><br />
<div class="Body">
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<span style="font-size: small;"><span style="font-family: inherit;">
</span></span><br />
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<span style="font-size: small;"><span style="font-family: inherit;"><span lang="EN-US" style="color: black;">" Would to God
that all the Lord's people were Prophets."
(Numbers xi, ch. 29 v, xix)</span><span style="color: black;"></span></span></span></div>
<span style="font-size: small;"><span style="font-family: inherit;">
</span></span><br />
<div class="Body">
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<span style="font-size: small;"><span style="font-family: inherit;">
</span></span><br />
<div class="Body">
<span style="font-size: small;"><span style="font-family: inherit;"><span lang="EN-US" style="color: black;">Let us always
remember his call to be "just and true to our own imaginations, those
Worlds of Eternity in which we shall live for ever, in Jesus Our Lord."</span><span style="color: black;"></span></span></span></div>
<span style="font-size: small;"><span style="font-family: inherit;">
</span></span><br />
<div class="Body">
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<span style="font-size: small;"><span style="font-family: inherit;">
</span></span><br />
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<span style="font-size: small;"><span style="font-family: inherit;"><span lang="EN-US" style="color: black;">William leaves us in
no doubt that Jerusalem will be built, and it will be built ''through the
radical regeneration of each person's own power to imagine" and the
liberation of our Creative Energy. Freed from "the mind-forged
manacles" of Rationalism and `Materialism, we will all bring about the New Age of True Enlightenment,
Jerusalem, that will last forever. </span><span style="color: black;"></span></span></span></div>
<span style="font-size: small;"><span style="font-family: inherit;">
</span></span><br />
<div class="Body">
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<span style="font-size: small;"><span style="font-family: inherit;">
</span></span><br />
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<span style="font-size: small;"><span style="font-family: inherit;"><span lang="EN-US" style="color: black;"> "Imagination is Eternity."</span><span style="color: black;"></span></span></span></div>
<span style="font-size: small;"><span style="font-family: inherit;">
</span></span><br />
<div class="Body">
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<span style="font-size: small;"><span style="font-family: inherit;">
</span></span><br />
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<span style="font-size: small;"><span style="font-family: inherit;"><span lang="EN-US" style="color: black;">We will fulfil the
Infinite Potential of Creativity within us and experience true happiness in
"those Worlds of Eternity" of the Imagination.</span><span style="color: black;"></span></span></span></div>
<span style="font-size: small;"><span style="font-family: inherit;">
</span></span><br />
<div class="Body">
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<span style="font-size: small;"><span style="font-family: inherit;">
</span></span><br />
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<span style="font-size: small;"><span style="font-family: inherit;"><span lang="EN-US" style="color: black;">"Energy is
Eternal Delight.</span><span style="color: black;"></span></span></span></div>
<span style="font-size: small;"><span style="font-family: inherit;">
</span></span><br />
<div class="Body">
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<span style="font-size: small;"><span style="font-family: inherit;">
</span></span><br />
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<span style="font-size: small;"><span style="font-family: inherit;"><span lang="EN-US" style="color: black;">And,Yes! Jesus, our
Divine Humanity, will walk upon England's mountains green! He will come again
through our creativity, and he will be re-united with his bride, Jerusalem, the
manifestation of the Divine Vision in us all.</span><span style="color: black;"></span></span></span></div>
<span style="font-size: small;"><span style="font-family: inherit;">
</span></span><br />
<div class="Body">
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<span style="font-size: small;"><span style="font-family: inherit;">
</span></span><br />
<div class="Body">
<span style="font-size: small;"><span style="font-family: inherit;"><span lang="EN-US" style="color: black;">"The Eternal
Body of Man is the Imagination, that is, God himself .. "</span><span style="color: black;"></span></span></span></div>
<span style="font-size: small;"><span style="font-family: inherit;">
</span></span><br />
<div class="Body">
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<span style="font-size: small;"><span style="font-family: inherit;">
</span></span><br />
<div class="Body">
<span style="font-size: small;"><span style="font-family: inherit;"><span lang="EN-US" style="color: black;">The Real Revolution
starts now! It starts with us! Here! In England's green and pleasant Land! It
will change the world forever and it will transform the Universe! It is
inspired by a Vision that transcends the mere here and now of a corporeal
Utopia. It opens up for us those Worlds of Eternity, to which we really belong
and for which we long so much.</span><span style="color: black;"></span></span></span></div>
<span style="font-size: small;"><span style="font-family: inherit;">
</span></span><br />
<div class="Body">
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<span style="font-size: small;"><span style="font-family: inherit;">
</span></span><br />
<div class="Body">
<span style="font-size: small;"><span style="font-family: inherit;"><span lang="EN-US" style="color: black;">Will you join in the
fight to regain our Divine Humanity and build Jerusalem once more?</span><span style="color: black;"></span></span></span></div>
<span style="font-size: small;"><span style="font-family: inherit;">
</span></span><br />
<div class="Body">
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<span style="font-size: small;"><span style="font-family: inherit;">
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<span style="font-size: small;"><span style="font-family: inherit;">
</span></span><br />
<span style="font-size: small;"><span style="font-family: inherit;">The Divine Image</span></span><span style="font-size: small;"><span style="font-family: inherit;"></span></span><br />
<span style="font-size: small;"><span style="font-family: inherit;"><br />To Mercy, Pity, Peace, and Love<br />All pray in their distress;<br />And to these virtues of delight<br />Return their thankfulness.</span></span><br />
<span style="font-size: small;"><span style="font-family: inherit;"><br />For Mercy, Pity, Peace, and Love<br />Is God, our father dear,<br />And Mercy, Pity, Peace, and Love<br />Is Man, his child and care.</span></span><br />
<span style="font-size: small;"><span style="font-family: inherit;"><br />For Mercy has a human heart,<br />Pity a human face,<br />And Love, the human form divine,<br />And Peace, the human dress.</span></span><br />
<span style="font-size: small;"><span style="font-family: inherit;"><br />Then every man, of every clime,<br />That prays in his distress,<br />Prays to the human form divine,<br />Love, Mercy, Pity, Peace.</span></span><br />
<span style="font-size: small;"><span style="font-family: inherit;"><br />And all must love the human form,<br />In heathen, Turk, or Jew;<br />Where Mercy, Love, and Pity dwell<br />There God is dwelling too.</span></span>http://www.blogger.com/profile/04854701034941124576noreply@blogger.com0tag:blogger.com,1999:blog-8851645876141721002.post-50466171222787275072016-04-11T03:05:00.001-07:002016-04-11T04:09:21.787-07:00Meet the Artist... David Honeybone<span style="font-size: small;">And did those feet</span><br />
<span style="font-size: small;"><br /></span>
<span style="font-size: small;">In my mind 'Blake's Jerusalem' has long been confused with 'Parry's Jerusalem' at my school's Founder's Day. I saw the invitation to take part in this project as an opportunity to reclaim the inspiration of the words from a world where 'building Jerusalem' was treated much the same as doing well in exams or playing for the First XI (I managed the former but not the latter)</span><br />
<span style="font-size: small;"><br /></span>
<span style="font-size: small;">So the words had to be part of what I made. And then I thought of the 'William Blake: Apprentice and Master' exhibition at the Ashmolean Museum last year, when I was fascinated by his method of incorporating text into his plates. And so the idea of a book soon followed, and with it a series of obvious but awkward questions. How to do the lettering? - it had to be mine, not printed, but I am no calligrapher . And what images, literal or metaphorical, figurative or abstract, would do the job and capture something of the emotion and spirit that was so lacking all those years ago in High Barnet Parish Church in North London?</span><br />
<span style="font-size: small;"><br /></span>
<span style="font-size: small;">Blake's own imagery and colours remained a bit of a problem for me - in his preface to the poem 'Milton', where the words of Jerusalem appear, pink, yellow and blue predominate, not a combination that immediately appeals to me. And I find his figures somewhat overblown, verging on the grotesque.</span><br />
<span style="font-size: small;"><br /></span>
<span style="font-size: small;">A day at the West Yorkshire Print Workshop earlier this year set me on the path of a series of monoprints with ordinary hand-written text (a bit of inspiration from Tracey Emin there)</span><br />
<br />
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<span style="font-size: small;">The work is in progress. Decisions about colour are emerging, in large part inspired by the find of a piece of superb quality Hainsworth woollen cloth in a brilliant royal blue which has to be the cover. And taking inspiration from such a beautiful thing from a mill, ideas about industrial images have influenced the designs for the prints, and I have persuaded myself that blue, pink and yellow might work. Here's a rough sketch of a possible title page.</span><br />
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<span style="font-size: small;">There is a lot more work to do but I am beginning to feel that the dead weight of Founder's Day is being lifted from those wonderful words.</span><br />
<span style="font-size: small;"><br /></span>
<span style="font-size: small;">David Honeybone</span><br />
<span style="font-size: small;">11 April 2016</span><br />
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<br />http://www.blogger.com/profile/04854701034941124576noreply@blogger.com0tag:blogger.com,1999:blog-8851645876141721002.post-6569809664114633712016-04-08T00:42:00.000-07:002016-04-08T09:59:54.758-07:00Lino-printing with Y6, Gledhow schoolWe've been working with y6 pupils at Gledhow school to make some lino prints for the exhibition. Here's a few photos of the work that went on there...<br />
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<br />http://www.blogger.com/profile/04854701034941124576noreply@blogger.com0tag:blogger.com,1999:blog-8851645876141721002.post-13471819108007763802016-04-04T08:05:00.002-07:002016-04-04T13:43:51.842-07:00Meet the Artist... Andrew Lister<style>
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</style><span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><span><i>Exhibition
curator Si Smith chats with contributing artist Andrew Lister about the
thundering words of the Church, moments of daftness, and the serious
business of Play...</i></span></span></span><br />
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><span><i> </i></span></span></span><span style="font-size: small;"><b><span lang="EN-US" style="font-family: "helvetica"; mso-bidi-font-family: Helvetica;"> </span></b></span><br />
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<b><span lang="EN-US" style="font-family: "helvetica"; mso-bidi-font-family: Helvetica;">Si: Hi Andrew, and welcome to the exhibition
blog.</span></b></div>
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<b><span lang="EN-US" style="font-family: "helvetica"; mso-bidi-font-family: Helvetica;">Can you tell us a bit about yourself?</span></b></div>
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<b><span lang="EN-US" style="font-family: "helvetica"; mso-bidi-font-family: Helvetica;">Andrew: </span></b><span lang="EN-US" style="font-family: "helvetica"; mso-bidi-font-family: Calibri;">I am a studio holder
at Patrick Studios in Leeds. </span></div>
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<span lang="EN-US" style="font-family: "helvetica"; mso-bidi-font-family: Calibri;">My work is essentially drawing, painting and constructed inlays
that make use of many different found materials.</span></div>
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<span lang="EN-US" style="font-family: "helvetica"; mso-bidi-font-family: Calibri;">The subject matter of work in my exhibition last November in The
Shed Gallery, Ilkley, was art history.</span></div>
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<span lang="EN-US" style="font-family: "helvetica"; mso-bidi-font-family: Calibri;">The work in my next exhibition in Batley Art Gallery is about the
powerful and their weapons and their victims.*</span></div>
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<b><span lang="EN-US" style="font-family: "helvetica"; mso-bidi-font-family: Helvetica;">Si: Your piece for the exhibition is called
'The Holy Lamb of Rauschenberg'... can you tell us about it?</span></b><span lang="EN-US" style="font-family: "helvetica"; mso-bidi-font-family: Helvetica;"></span></div>
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<b><span lang="EN-US" style="font-family: "helvetica"; mso-bidi-font-family: Helvetica;">Andrew: </span></b><span lang="EN-US" style="font-family: "helvetica"; mso-bidi-font-family: Helvetica;">The Holy Lamb of
Rauschenberg came into being when I was playing in an idle moment with my
toys, a pile of toys that are a remnant of my junk dealing days.</span></div>
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<span lang="EN-US" style="font-family: "helvetica"; mso-bidi-font-family: Helvetica;">But although it was made in careless way it does reflect two very important
interests of mine: Christianity and Art History.</span></div>
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<span lang="EN-US" style="font-family: "helvetica"; mso-bidi-font-family: Helvetica;">Robert Rauschenberg, long a favourite artist, famously put a
vehicle tyre around a stuffed angora goat in one of his combines (see above)</span></div>
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<span lang="EN-US" style="font-family: "helvetica"; mso-bidi-font-family: Helvetica;">Brought up going to church four times a week I have spent much
of my adult life assessing and analysing my relationship with Christianity.</span></div>
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<span lang="EN-US" style="font-family: "helvetica"; mso-bidi-font-family: Helvetica;">The Holy Lamb of God is for me a powerful image. </span></div>
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<span lang="EN-US" style="font-family: "helvetica"; mso-bidi-font-family: Helvetica;">The power derives in no small way from the words of Blake sung many
times in my childhood and youth.</span></div>
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<span lang="EN-US" style="font-family: "helvetica"; mso-bidi-font-family: Helvetica;">It is therefore no surprise that in a moment of daftness I should
put a tiny tyre round a tiny lamb and call it The Holy Lamb of
Rauschenberg (below)...</span></div>
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<b><span lang="EN-US" style="font-family: "helvetica"; mso-bidi-font-family: Helvetica;">Si: It's a lovely little (really little) piece,
and I'm looking forward to seeing it in the exhibition, especially up against
some of the larger works. </span></b><span lang="EN-US" style="font-family: "helvetica"; mso-bidi-font-family: Helvetica;"></span></div>
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<b><span lang="EN-US" style="font-family: "helvetica"; mso-bidi-font-family: Helvetica;">That contrast in scale is going to be really
interesting...</span></b><span lang="EN-US" style="font-family: "helvetica"; mso-bidi-font-family: Helvetica;"></span></div>
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<b><span lang="EN-US" style="font-family: "helvetica"; mso-bidi-font-family: Helvetica;">Meanwhile - and picking up on something that
you said there - I'm intrigued by the place that Playfulness has in your
creative process...</span></b><span lang="EN-US" style="font-family: "helvetica"; mso-bidi-font-family: Helvetica;"></span></div>
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<b><span lang="EN-US" style="font-family: "helvetica"; mso-bidi-font-family: Helvetica;">Andrew: </span></b><span lang="EN-US" style="font-family: "helvetica"; mso-bidi-font-family: Helvetica;">I did the writing
part of my MA on art and play - the humour part, if you believe Freud, is a
serious business! </span></div>
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<span lang="EN-US" style="font-family: "helvetica"; mso-bidi-font-family: Helvetica;">My study was of aesthetic play and strangely what a hard task master
it is.</span></div>
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<span lang="EN-US" style="font-family: "helvetica"; mso-bidi-font-family: Helvetica;">I read bits of philosophy but mainly Schiller, Freud, Barthes and
Marcuse. It strengthened my belief that the stronger the internal dialogue of
the artwork the stronger the aesthetic. </span></div>
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<span lang="EN-US" style="font-family: "helvetica"; mso-bidi-font-family: Helvetica;">In simple terms this means that, for example, political ideas are
best excluded from the work because they make the dialogue external. </span></div>
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<span lang="EN-US" style="font-family: "helvetica"; mso-bidi-font-family: Helvetica;">All games require rules or laws and in aesthetic play these rules
evolve and demand recognition. Adherence to them gives the work
integrity.</span></div>
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<b><span lang="EN-US" style="font-family: "helvetica"; mso-bidi-font-family: Helvetica;">Si: And having a pile of toys and stuff to mess
around and play with is, I guess, an important part of that creative
game-playing...</span></b><span lang="EN-US" style="font-family: "helvetica"; mso-bidi-font-family: Helvetica;"></span></div>
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<b><span lang="EN-US" style="font-family: "helvetica"; mso-bidi-font-family: Helvetica;">Andrew:</span></b><span lang="EN-US" style="font-family: "helvetica"; mso-bidi-font-family: Helvetica;"> I bought and
sold junk for 15/16 years from a shop, and I was left with a lot of interesting
stuff which as Rauschenberg will testify I still make use of.</span></div>
<span lang="EN-US" style="font-family: "helvetica"; font-size: 12.0pt;">The
other legacy was the handling of so many objects hand made and manufactured
usually of little monetary value. It allowed me to see so much quirky
stuff and so many different ways of hand-making objects. </span>
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<b><span lang="EN-US" style="font-family: "helvetica"; mso-bidi-font-family: Helvetica;">Si: At our exhibition last year, I
remember you telling me that you visited St Edmund's when you were a pupil at
Roundhay school (quite a few years ago now...) for school concerts and events.</span></b><span lang="EN-US" style="font-family: "helvetica"; mso-bidi-font-family: Helvetica;"></span></div>
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<b><span lang="EN-US" style="font-family: "helvetica"; mso-bidi-font-family: Helvetica;">I like that historical connection with the
venue that you have there...</span></b><span lang="EN-US" style="font-family: "helvetica"; mso-bidi-font-family: Helvetica;"></span></div>
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<b><span lang="EN-US" style="font-family: "helvetica"; mso-bidi-font-family: Helvetica;">So one last thing that i was wondering about is
your relationship to Christianity...</span></b><span lang="EN-US" style="font-family: "helvetica"; mso-bidi-font-family: Helvetica;"></span></div>
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<b><span lang="EN-US" style="font-family: "helvetica"; mso-bidi-font-family: Helvetica;">Andrew:</span></b><span lang="EN-US" style="font-family: "helvetica"; mso-bidi-font-family: Helvetica;"> I was a choir boy
and this involved being in church 3,4,5 times a week. </span></div>
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<span lang="EN-US" style="font-family: "helvetica"; mso-bidi-font-family: Helvetica;">As a child and young teenager I did not question the faith but fell
out with the church because of the contradiction as I perceived it between
the words in the church and actions outside it - of individuals and the
corporate body.</span></div>
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<span lang="EN-US" style="font-family: "helvetica"; mso-bidi-font-family: Helvetica;">I left the choir and left the church but with its words thundering
on in my head. </span></div>
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<span lang="EN-US" style="font-family: "helvetica"; mso-bidi-font-family: Helvetica;">Years later I had a compulsion to study the Texts and
analysis and so come to some kind of conclusion about what I believed and
what it meant to me. </span></div>
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<span lang="EN-US" style="font-family: "helvetica"; mso-bidi-font-family: Helvetica;">My conclusion is not special: Jesus was a good man who is
misrepresented. </span></div>
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<span lang="EN-US" style="font-family: "helvetica"; mso-bidi-font-family: Helvetica;">What a destructive philosophy in the hands of the powerful,
including the Church, has been concocted from his words. </span></div>
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<b><span lang="EN-US" style="font-family: "helvetica"; mso-bidi-font-family: Helvetica;">Si: And I think that William Blake would
probably agree with you there...</span></b></div>
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<span lang="EN-US" style="font-family: "calibri"; font-size: 16.0pt;">_____________________________________________________</span></div>
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<span lang="EN-US" style="font-family: "helvetica"; mso-bidi-font-family: Calibri;">*Batley Library and Art Gallery</span></div>
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<span lang="EN-US" style="font-family: "helvetica"; mso-bidi-font-family: Calibri;">Market Place</span></div>
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<span lang="EN-US" style="font-family: "helvetica"; mso-bidi-font-family: Calibri;">Batley WF17 5DA</span></div>
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<span lang="EN-US" style="font-family: "helvetica"; mso-bidi-font-family: Calibri;">01924 326021</span></div>
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<span lang="EN-US" style="font-family: "helvetica"; mso-bidi-font-family: Calibri;">Exhibition Dates: 7th November to 19th December 2016 </span></div>
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http://www.blogger.com/profile/04854701034941124576noreply@blogger.com0tag:blogger.com,1999:blog-8851645876141721002.post-63385746910180682972016-04-01T08:26:00.003-07:002016-04-04T01:51:50.078-07:00Press release no.1, with Micah Purnell's artwork......feel free to download and use it :-)<br />
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<b><span style="font-family: "verdana"; font-size: 9.0pt;">A LEEDS
EXHIBITION CELEBRATES THE CENTENARY OF ‘BLAKE’S JERUSALEM’</span></b></div>
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<b><span style="font-family: "verdana"; font-size: 9.0pt;">(Leeds –
31st March 2016 – for immediate release) <span style="mso-spacerun: yes;"> </span></span></b></div>
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<span style="font-family: "arial"; font-size: 10.0pt;">Artists from across the UK and beyond are
joining with St Edmunds Church, Roundhay in May 2016 for a unique exhibition
celebrating the centenary of Sir Hubert Parry’s much-loved anthem, ‘Blake’s
Jerusalem’.</span></div>
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<span style="font-family: "arial"; font-size: 10.0pt;">The exhibition, entitled ‘And Did Those Feet’,
will feature work from a range of creatives -including renowned French-Canadian
comic book artist Guy Delisle, Birmingham-based painter Eddy Aigbe and Bradford’s
Eva Mileusnic - alongside text-based prints made by local schoolchildren. The
show will include sculpture, painting, and drawing, and will explore some of
the themes raised by William Blake’s utopian vision as well as the song’s
fascinating history.</span></div>
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<span style="font-family: "arial"; font-size: 10.0pt;">Exhibition curator Si Smith is excited by the
exhibition’s theme:</span></div>
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<i style="mso-bidi-font-style: normal;"><span style="font-family: "arial"; font-size: 10.0pt;">‘</span></i><i><span style="color: #10121b; font-family: "helvetica"; font-size: 10.0pt;">Written one
hundred years ago in 1916</span></i><i style="mso-bidi-font-style: normal;"><span style="color: #10121b; font-family: "helvetica"; font-size: 10.0pt;"> as a patriotic anthem to boost flagging morale during WWI Hubert
Parry’s musical adaptation of Blake’s poem is a song with a fascinating
history, full of intriguing contradictions…</span></i></div>
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<i style="mso-bidi-font-style: normal;"><span style="color: #10121b; font-family: "helvetica"; font-size: 10.0pt;">It has been sung at conference by both the Labour and
Conservative Parties; before rugby league internationals and at royal weddings;
by Billy Bragg and on the Last Night of the Proms. At one point the rights to
the song were given to the Suffrage movement (later passing on to the Women’s
Institute) and there have been campaigns to have it officially recognized as a
national anthem for England. And so we're hoping to source work that plays with
notions of Englishness, and of nationhood. </span></i></div>
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<i style="mso-bidi-font-style: normal;"><span style="color: #10121b; font-family: "helvetica"; font-size: 10.0pt;">And, of course, William Blake’s original text is intriguing -
full of allegorical language and visions of fiery chariots and dark satanic
mills, it suggests the apocryphal tale of the young Christ’s visit to Glastonbury,
and is ultimately an exhortation to artists and young people to see England
reimagined and rebuilt as a kind of Heaven-on-Earth.</span></i></div>
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<i style="mso-bidi-font-style: normal;"><span style="color: #10121b; font-family: "helvetica"; font-size: 10.0pt;">It’s pretty powerful stuff, and I’m hoping that our exhibition
can do justice to the source material…</span></i><i style="mso-bidi-font-style: normal;"><span style="font-family: "arial"; font-size: 10.0pt;">’</span></i><i style="mso-bidi-font-style: normal;"><span style="color: #10121b; font-family: "helvetica"; font-size: 10.0pt;"></span></i></div>
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<span style="font-family: "arial"; font-size: 10.0pt;">The Exhibition will run from 30<sup>th</sup>
April to 24<sup>th</sup> May 2016 at St Edmunds Church, Lidgett Park Road,
Roundhay LS8 1JN, and will include workshops and artists’ Q&A sessions
[dates and times tbc]</span></div>
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<span style="font-family: "arial"; font-size: 10.0pt;">The exhibition will be curated by Leeds-based
artist and illustrator Si Smith.</span></div>
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<span style="font-family: "arial"; font-size: 10.0pt;">Si has previously exhibited and curated work in St. Edmund’s church. He has
also curated shows and events at the Left Bank venue in Burley and the
Greenbelt festival.<span style="mso-bidi-font-weight: bold;"></span></span></div>
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<b><span style="font-family: "arial"; font-size: 10.0pt;">Issued by ‘And Did Those Feet’</span></b></div>
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<b><span style="font-family: "arial"; font-size: 10.0pt;">For more information, contact Si Smith<br />
</span></b><a href="mailto:si@simonsmithillustrator.co.uk"><b><span style="font-family: "arial"; font-size: 10.0pt;">si@simonsmithillustrator.co.uk</span></b></a><b><span style="font-family: "arial"; font-size: 10.0pt;"></span></b></div>
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<b><span style="font-family: "arial"; font-size: 10.0pt;">07833 308971</span></b></div>
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<span style="font-family: "arial"; font-size: 10.0pt;">Additional information about the exhibition, plus the text of this press
release, is available at </span><a href="http://anddidthosefeetexhibition.blogspot.co.uk/"><span style="font-family: "arial"; font-size: 10.0pt;">http://anddidthosefeetexhibition.blogspot.co.uk/</span></a></div>
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http://www.blogger.com/profile/04854701034941124576noreply@blogger.com0tag:blogger.com,1999:blog-8851645876141721002.post-59465821403416768812016-03-15T14:12:00.003-07:002016-03-16T13:34:57.225-07:00Jerusalem by The Fall<a href="https://www.youtube.com/watch?v=QkZhh_7Px00">Jerusalem by The Fall</a>
http://www.blogger.com/profile/04854701034941124576noreply@blogger.com0tag:blogger.com,1999:blog-8851645876141721002.post-64073232049744090972016-03-05T08:47:00.004-08:002016-03-05T08:48:38.739-08:00Aidan of the Print Wagon in action...<div id="fb-root"></div> <script>(function(d, s, id) { var js, fjs = d.getElementsByTagName(s)[0]; if (d.getElementById(id)) return; js = d.createElement(s); js.id = id; js.src = "//connect.facebook.net/en_GB/sdk.js#xfbml=1&version=v2.3"; fjs.parentNode.insertBefore(js, fjs); }(document, 'script', 'facebook-jssdk'));</script><div class="fb-video" data-allowfullscreen="1" data-href="/SquareEyePrinting/videos/vb.998588350155302/1276146195732848/?type=3"><div class="fb-xfbml-parse-ignore"><blockquote cite="https://www.facebook.com/SquareEyePrinting/videos/1276146195732848/"><a href="https://www.facebook.com/SquareEyePrinting/videos/1276146195732848/"></a><p>Freshly pressed print courtesy of the Print Wagon. #THWprintfair</p>Posted by <a href="https://www.facebook.com/SquareEyePrinting/">Square Eye Printing</a> on Saturday, 5 March 2016</blockquote></div></div>http://www.blogger.com/profile/04854701034941124576noreply@blogger.com0tag:blogger.com,1999:blog-8851645876141721002.post-25255884342816672082016-02-17T02:31:00.000-08:002016-02-17T02:31:08.518-08:00Work in Progress - Si Smith<div class="separator" style="clear: both; text-align: center;">
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Preliminary drawings and lino cuts... </div>
<br />http://www.blogger.com/profile/04854701034941124576noreply@blogger.com0tag:blogger.com,1999:blog-8851645876141721002.post-91616858186639258352016-01-30T12:20:00.001-08:002016-02-01T00:38:14.666-08:00Guy Delisle at work.<iframe allowfullscreen="" frameborder="0" height="344" src="https://www.youtube.com/embed/4eZ2xRGUdYs" width="459"></iframe>http://www.blogger.com/profile/04854701034941124576noreply@blogger.com0tag:blogger.com,1999:blog-8851645876141721002.post-32509634963015652372016-01-30T12:14:00.001-08:002016-02-01T00:38:29.379-08:00Guy Delisle interview.<iframe allowfullscreen="" frameborder="0" height="270" src="https://www.youtube.com/embed/9Uu20ZdLPx0" width="480"></iframe>http://www.blogger.com/profile/04854701034941124576noreply@blogger.com0tag:blogger.com,1999:blog-8851645876141721002.post-9244909993421614792016-01-30T11:04:00.001-08:002016-02-01T00:39:25.949-08:00Blake Remixed trailer.<iframe allowfullscreen="" frameborder="0" height="270" src="https://www.youtube.com/embed/XqQI_CUQl_g" width="480"></iframe>http://www.blogger.com/profile/04854701034941124576noreply@blogger.com0tag:blogger.com,1999:blog-8851645876141721002.post-24483340363979725912016-01-28T01:52:00.001-08:002016-02-01T00:39:35.401-08:00"Jerusalem" - Billy Bragg.<iframe allowfullscreen="" frameborder="0" height="344" src="https://www.youtube.com/embed/EXEqFMFFsQo" width="459"></iframe>http://www.blogger.com/profile/04854701034941124576noreply@blogger.com2